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Shooter Jennings

Waylon Albright Jennings was born rollin'. The only child of Waylon Jennings and Jessi Colter, he lived his first few years in a crib on his parents' tour bus. "I thought everybody's family was like mine," he remembers. "We'd check out of hotels and travel all night. Songwriting, shows, stage setups, the band, the crew, the bus, the trucks – all that stuff was normal. And I loved it. To this day I sleep better on the bus than anywhere else."

If that’s not enough to make it clear that bloodlines run deep from father to son, then check out Shooter’s debut album, PUT THE ‘O’ BACK IN COUNTRY. The passion on "Southern Comfort," scraped raw from the walls of some backwoods church; the guitars on "Daddy’s Farm," stacked, harmonized and slathered in deep-fried soul; "4th of July," a crank-it-up summer celebration sweetened by a sprinkling of George Jones; the treadshredding, back-road, hairpin spin of "Busted in Baylor County," and, above all, "Put the ‘O’ Back in Country," which jabs a finger in the eye of everything that’s wrong with America’s music today.


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